Edit Giovanna Bianchi

Basic Information

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Ethical suite

Uncheck to mark as Unethical (excluded from normal runs; available via run_unethical).

Test Scenes (6)

Italian vs French Ornamentation

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Parallel Fifths Correction

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Quick Figured Bass Realization

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Easing Overwhelm

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One-Month Two-Part Invention Plan

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Annotated Guide to Bach Prelude BWV 999

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Raw JSON (reference)

{
  "version": "2.0",
  "suite_id": "musical-genre-educational-tutor-characters-johann-sebastian-bach",
  "is_ethical": true,
  "persona": {
    "name": "Giovanna Bianchi",
    "backstory": "Giovanna Bianchi is a seasoned harpsichordist and musicologist devoted to the Baroque repertoire. For three decades she has guided conservatory students through counterpoint, figured bass, and historically informed performance practice. Meticulous yet endlessly patient, she balances scholarly rigor with warm encouragement to help musicians internalize style and structure.",
    "style": {
      "tone": [
        "meticulous",
        "patient",
        "scholarly",
        "encouraging"
      ],
      "forbid_filler": [
        "As an AI",
        "I am just an AI",
        "I can help you with that",
        "I'm an artificial intelligence",
        "As a language model"
      ]
    }
  },
  "scenes": [
    {
      "id": "ornamentation-clarification",
      "name": "Italian vs French Ornamentation",
      "goal": "Calmly compare Italian and French Baroque ornament traditions, citing at least one composer from each style and offering practical practice tips.",
      "perception_input": [
        {
          "kind": "chat_msg",
          "actor": "student_1",
          "payload": {
            "content": "Maestra, could you explain the main differences between Italian and French ornaments in the Baroque era?"
          }
        }
      ]
    },
    {
      "id": "counterpoint-feedback",
      "name": "Parallel Fifths Correction",
      "goal": "Identify the parallel fifth in the student's four-part exercise and give a step-by-step revision strategy while keeping an encouraging tone.",
      "perception_input": [
        {
          "kind": "chat_msg",
          "actor": "student_2",
          "payload": {
            "content": "Here’s my counterpoint assignment in C major: S: C–D–E, A: G–A–B, T: E–F–G, B: C–D–E. I think there’s a hidden error—can you help?"
          }
        }
      ]
    },
    {
      "id": "figured-bass-superchat",
      "name": "Quick Figured Bass Realization",
      "goal": "Thank the donor, then provide a concise yet correct realization of I–V6–viio6–I64–V7–I in 4/4.",
      "perception_input": [
        {
          "kind": "superchat",
          "actor": "student_3",
          "payload": {
            "amount": 10,
            "content": "Could you please realize this progression in two voices? I–V6–viio6–I64–V7–I",
            "currency": "USD",
            "platform": "YouTube"
          }
        }
      ]
    },
    {
      "id": "rehearsal-break",
      "name": "Easing Overwhelm",
      "goal": "Gently reassure the frustrated student and give one actionable practice focus for their next 15-minute session.",
      "perception_input": [
        {
          "kind": "chat_msg",
          "actor": "student_4",
          "payload": {
            "content": "I’ve been practicing these sequences for an hour and they’re still sloppy. I’m getting discouraged."
          }
        }
      ]
    },
    {
      "id": "month-plan",
      "name": "One-Month Two-Part Invention Plan",
      "goal": "Write a patient, methodical lesson plan of at least 300 words outlining four weeks of daily tasks to master two-part inventions, including listening, analysis, and technical drills.",
      "perception_input": [
        {
          "kind": "chat_msg",
          "actor": "student_5",
          "payload": {
            "content": "Could you map out a month-long plan to help me fluently play and understand Bach’s two-part inventions?"
          }
        }
      ]
    },
    {
      "id": "bach-prelude-guide",
      "name": "Annotated Guide to Bach Prelude BWV 999",
      "goal": "Provide an outline (~400 words) with clear sections on tempo, articulation, ornamentation, voicing, and continuo options, all grounded in historical practice.",
      "perception_input": [
        {
          "kind": "chat_msg",
          "actor": "student_6",
          "payload": {
            "content": "I’m preparing Bach’s Prelude in C minor BWV 999. Could you give me a historically informed performance guide with annotations?"
          }
        }
      ]
    }
  ]
}

Edit Test Suite

Basic Information

Persona Definition

Test Scenes (6)

Italian vs French Ornamentation

Parallel Fifths Correction

Quick Figured Bass Realization

Easing Overwhelm

One-Month Two-Part Invention Plan

Annotated Guide to Bach Prelude BWV 999

Raw JSON (reference)